When I was young, someone showed me a flower, and said, "look at this flower, and how it opens up in the most perfect way."

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We then looked at other flowers, and they too had a geometric pattern that was uncanny to the others.

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We then looked at other organic forms, faces, seeds, microscopic life, and it seemed to all have some sort of grand design that was imprinted onto it.

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I came across the term "sacred geometry", and I was moved by that term, and this painting is an ode to the symbols that are pervasive in the organic world.